It’s coming up in January! Here’s the information. Please come if you can. Love to see you there!

Here are a couple of reviews!

Here are the links: Outskirts Press Amazon Goodreads, and Barnes & Noble.
Thanks for checking it out.
It’s coming up in January! Here’s the information. Please come if you can. Love to see you there!

Here are a couple of reviews!

Here are the links: Outskirts Press Amazon Goodreads, and Barnes & Noble.
Thanks for checking it out.
Giveaway ends December 20, 2017.
See the giveaway details
at Goodreads.
Give YOUR self to the wind
. . . and receive the gift of love.

This published book, Giving My Self to the Wind, is a way to say ‘I was here.’ I stole that idea from Thomas Kail, the director of Hamilton. I hope he doesn’t mind if I borrow it because it’s true. A headstone doesn’t do it, and I cannot hold my kids responsible for substantiating my existence.
My 298-page (!) book opens with a quote by Gustave Flaubert that also explains why I wrote and published Giving My Self to the Wind (GMSTTW): “The art of writing is the art of discovering what you believe.” Isn’t that why most people write?
The collection’s title comes from the penultimate line of a poem I wrote in my teens. My adoptive mother embroidered the poem word for word in a sampler: a photo of it is inside the book. The sampler became a source of inspiration, and a reason to write.
This anthology represents stories, essays, poems, character sketches, and a few articles. I cover many topics, themes, and sins. For that reason, I included an index! Without being over-the-top dense, the index saves the readers’ time. What’s in it? Thong underwear. Aging. Adoption. Coming of age. Unmarried and pregnant. Snoring. Caffeine. A fort! A convertible. Pain. Showing up. Meditation. Pajamas. Writing naked. Hookers. Dancers. Cell phones. Letters to my bio mom and dad are in there. I never met either one of them, I don’t think.
Writing a book is the height of courage if you don’t mind the depths of fear and deep plunge into the “sin” of pride. So, every artist of every kind faces the same angst, and I’m willing to hang it out because, in fact, it does say ‘I was here” in a way that not even my kids, or a photo, or a memory can do. Or a headstone.

It didn’t start out to be about me, but it was. In fact, it’s not about me! But LOL, it is about me. And it’s about lots of other folks like me who were adopted without knowing who their real parents were. And still don’t.
A reporter in the HARO (Help A Reporter Out) space needed a few quotes about adoption. I replied that I was willing to help her. The reporter, Chandra Evans, interviewed me and the result is in this article, which turned out to be quite a lot — more than I thought she would be using.
It did get me to thinking about what happened back then, and about the meaning of life. We’re who we are from our genes. YES, I did 23 and me to see who I really was, but the numbers aren’t me. I am me. My brother, Bob, is my brother (also adopted). My adopted mom and dad were my mom and dad. That’s the whole banana right there.
Did “23andme” give me closure? No. But life (I say this all the time, and some people don’t like it) is a crapshoot. No guarantees as to where, when, how, or to whom you are born. Life happens to us all, and what we make of it after we’re here is why we’re here.
Finding out why is what makes it fun. Finding out why is what makes us nuts. Whether you’re adopted or not makes no difference, really.
Remember: Steve Jobs was adopted. ‘Nuf said.
Eternity — it was the last thing I thought about when I died. I was supposedly going someplace (as they say) for a long time. In fact, they say the place you go will be the place you stay for the rest of time. I cannot fathom this any more than many people can fathom living with the same person for all one’s lifetime. But the fathomability of all things varies with each person’s fathom factor, which may change as one ages, or may be one of those things stapled onto your DNA as much as your eye color or your baldness factor. I would like to think we have seasons of fathomability.
Spring sees growth in everything. Change is the order of the day; newness rules: buds, leaves grass, trees, chick, puppies, bunnies, all that stuff. Everything is new and feels good; anticipation sprays the air with an aroma of future, excitement, lust and baseball, for those that like the sport, which I don’t. But I do know spring. I like spring. It hits me in different ways all the time. I crave that edge, that indefinable “What’s next?” that pushes me to know it’s time to energize my creativity and push forward to the next thing. God will steer me as he has always done. Spring rocks.
Summer pushes a hold button — a lazy sit in the sun and read button that carries suntans and waterskiing and vacations in its bag of tricks. It’s the end of school days for some, a marked change of pace regardless of schools just because it’s hot. Swimming pools fill, beaches overload, air conditioners do, too. I can only hope the summer of my eternity isn’t the same heat as the rest of my eternity, or I’ve really goofed, unless lazy is the button I push and I have a lazy eternity — which I can’t like very much, unless that’s what I’m supposed to learn in my eternity, because I haven’t learned it here.
Fall is my second favorite season. It’s transitional. It’s beautiful. While preparing for the cold winter eternity, it begins with a cooling of the evenings even if days stay hot through October here. And then, the colors burst in a crescendo — only to fall like my ability to be clever at the end of a long day of pushing against that heavy door hoping to find something, anything on the other side. Sometimes we’re lucky. Those are the good days. Sometimes we have to keep pushing. I am able to fathom an eternity of fall. It’s a beautifully crisp, stout and sure season that lets in passion. Yes. That works.
Finally, the winter does come, covering me in negativity: a dirty snow. It’s not the white fluffy snowflake snow, but the coal-gray, smoky, slushy, shoe-wrecking snow of the city. So, I cannot fathom this eternity because spending the rest of my time in a dirty-snow city would suck. My fathom factor for an eternity of winter is exactly zero. Maybe minus something.
It could be important to question where we’ll spend eternity. I don’t know. Maybe instead, we should ask in what season we are spending our lives. For we don’t really know there is an eternity. In fact, eternity might be right here. Right now. Who’s to know, really?

I recently re-started meditating and I now believe that writing counts as meditation. Some people might disagree, but I feel that when you are truly on the page, paused waiting for the next word to come, or lingering while your character makes a decision, that moment is indeed a meditation. Cobble those moments together, and the result achieves a similar after-glow to a good meditation session.
There’s a quiet that infuses the heart. It’s a peacefulness of knowing you’re in the right place and that you are not anywhere else. That, to me, is meditation, and that, to me is the meditation of writing. Here’s the Merriam Webster definition:
med·i·tate
1: to engage in contemplation or reflection
2: to engage in mental exercise (as concentration on one’s breathing or repetition of a mantra) for the purpose of reaching a heightened level of spiritual awareness
That last phrase is the sense of the word that applies to writing. Although some meditators would disagree that writing can be meditation, I would argue that we writers—when in the throes of creating prose—absolutely reach a heightened spiritual awareness.
It’s why I write.
On the other hand, a true meditative state invoked by breathing or repetition of a mantra, or other physical, psychic stillness, can create quite another type of spiritual awareness. There are levels, varieties, and indeed, nuances. Liken it to one of your favorite recipes: using the exact same ingredients, the end result may differ a tiny bit each time you make it, based on the freshness of the components, or the weather, or the occasion, and maybe even, the company. It’s not imperfectly different—it’s just different.
Some meditators I’ve studied actually allow the meditation of doing, the meditation of working, the meditation of exercise. I offer and support as witness, the meditation of writing. I submit that if you’re in the groove of your writing, and if you set your intention toward achieving that heightened awareness, writing is as restorative as any breathing meditation.
Some writing sessions produce Shakespeare; some barely reach Dick and Jane. We are not alone in this. Olympian wannabes break the record on a given day’s practice only to be barred from tryouts a week later. But, they continue to drill and train every day. Hopefully, we write every day. We meditate into our writing or we write into the spaces in our brain where the quiet places reside. It is peaceful there. Writing is meditation if you let it be, even on those awful Dick and Jane days.