Category: Different

“Blind Tom” Meets “Dog”

“Blind Tom” Meets “Dog”

“I’m tired of pulling this load every day.

I’m tired of being a horse.

I’m happy to meet you, I would say.

But my horsey voice is too coarse.”

 

“I gotcha, Mr. Horse. I’m so done being a dog.

I’m hungry all the time. Mealtime is a slog.

For just one day, I’d like to play.

“Fetch” sounds so good! I wait for that day.

 

“You’re a dog. I’m a horse.

We’ve both got four legs, of course.

But our fates are very different.

Our purposes, diverse.

Being a horse or a dog—

I wonder what is worse?”

 

“You’re Blind Tom, you fool. At least you have a name.

I don’t. I’m nameless. ‘Hey Dog,’ they exclaim.

My masters are many. My admirers are few.

The Railroad needs you but I’m as useless as a barren ewe.”

 

“Your man’s best friend! That’s never been my role.

You have a place at man’s side—that makes you whole.

I’m one step removed. A worker at best.

Sometimes I’m transportation. But the railroad is a test.

It’s over. I’m toast. I’m glue. The die is cast.

They won’t need horses. Those days are past.”

 

“Listen, Blind Tom. You’re a legend in your time.

You’re needed. You’re a fixture. And a worker on the line.

Your energy, your drive, your will to succeed

Are admirable, wonderful. You’re a great steed indeed.”

 

“Thanks, Dog. I hear you. I thank you for your trust.

I hope I live to see the end before I bite the dust.

This Railroad may be the death of me. One way or another.

But I will always think of you as a friend and as a brother.”

 

NOTE: Blind Tom was a real horse who pulled flatcars for construction crews on the Transcontinental Railroad

BIG Dreams for LITTLE People

THE TRANSCONTINENTAL RAILROAD
An engineer’s brain saw a cross-country train
Feeding greedy men’s dreams of riches
But to build the train across fields of grain
Is hard — don’t they know them sons of bitches?
 
And yet the crazy thought 
Of just one-week travel
Makes our own sweaty juices flow.
It almost seems funny that
We work for money,
But that’s not all, 
We know.
 
The railroad’s BIG in every way. 
A huge, gutsy step from our past
It’s scary,  it’s hairy.
And dirty? Very.
We work it and hope we last!
 
But while it’s BIG. We’re just a tie
A spike on the railroad’s tracks
We want a piece, of the riches, ‘fer sure
In return for breaking our backs.
 
“Whatchya gonna do
With the money you make?”
I’m gonna start a store, how ‘bout you?
“I’m gonna buy some land,
Have kids, like I planned.
And run a farm
Just like my old man.”
 
The railroad’s BIG in every way. 
A huge gutsy step from our past
It’s scary,  it’s hairy.
And dirty? Very.
We work it and hope we last!
 
This cross-country train is BIG; we know it. 
It’s why we keep on toiling.
It’s bigger than BIG, a crushing task
Through ice and rain and boiling.
Cuz here’s the thing we cannot do.
We simply cannot blow it.
And cuz it’s BIG, we continue to try.
It’s bigger than BIG; we work or die.
 
It’s BIG
We know it in our gut 
It’s BIG
We want a piece, a cut
It’s BIG, no lie.
We work and cry
It’s BIG
It’s BIG
It’s BIG
 Let’s not die.
This piece will be set to music and will be a part of my next historical fiction production, The Woman Who Saved the Transcontinental Railroad.

The Little Girl “Ho” 

I didn’t know 

I’d be a “ho”

When I was a little girl.

 

I didn’t plan

On being with a man

When I was a little girl.

I didn’t understand

When they put their hands 

On my ‘woo-woo’ when I was a girl.

But then it began

The man paid for his hand 

And I was no longer a girl, but a ho.

 

Mama always said 

I was not being wise.

Mama tried to tell me

I was smarter than them guys. 

That all I had to say was, “No.” No! NO!!

But you know how it goes.

They were deaf, don’t you know. 

So, by then, I was below.

I had nowhere else to go

And I knew it was so,

I was a ho.

 

Mama tried to lock the gate.

But she knew it was my fate. 

She tried to find me a mate.

She tried to anticipate.

But it was too late.

Her dream would have to wait.

Because for me I hate

That I’m a ho…

 

I didn’t know 

I’d be a “ho”

When I was a little girl

I didn’t plan

On being with a man

When I was a little girl

I didn’t understand

When they put their hands 

On my ‘woo-woo’ when I was a girl

But then it began

The man paid for his hand 

And I was no longer a girl, but a ho.

 

When the train came through

Looking for cooks,

I said I could cook

And I showed ‘em my books.

Sad for me, my looks 

Made the men that were crooks

Suffer me my fate, you know…

You’re not a cook!

Not the way you look!

And so,

I was no longer a girl, I was a ho.

Fend Off the Collapse of the Biospheres

This post doesn’t have to do with the Deathlist, My Piano Hands, OR Giving My Self to the Wind. NOPE. It’s about climate change. It just happens that Margaret Atwood is one of my favorite authors, and she gets it.

We must all work together to do this thing… Keep our planet from imploding on itself because of our neglect. But “It’s Not Too Late!” YAY

Okay. That’s it. Be the change. Thanks, Margaret, for supporting our cause.

Happiness Is Not Needing More

I don’t need anything more.

No nothing. Of that, I am shore.

I don’t need more stuff, it’s all just fluff.

More clothes? I’ll give mine to the poor.

 

I’m not taking a class or writing a post.

I won’t try putting extra butter on my toast.

I’ll refrain from checking my Facebook Page.

And won’t tweet a Tweet to vent my rage.

I will not compare. I will not look back.

I cannot look forward or fear an attack.

Today is today. And all I can say

To the people who’ve gone astray and lost their way…

EGBOK, my friends. Have faith. Make hay.

Believe me, Receive me. “Everything’s Going to Be OK.

Now… Am I happy?

 

 * * *

I think the entrepreneur and investor Naval Ravikant would agree with Andy Puddicome, founder of the meditation app, Headspace, that we only find happiness in the present. And we can only be in the present if we are willing to work hard to do  nothing.

Do you feel the TENSION in that statement? I do!

When we meditate, we are trying to do just that. We work (at meditation) to pay attention to only one thing in the present moment. Thoughts of the future and the past and the emotions surrounding those thoughts rip us from our present.

Worry is a particularly useless feeling. It’s a projection of a future over which we have no control. Worry can also be a feeling that shoves us back to some previous time when we wish we had done or said something different. Wayne Dyer used to say, “You can’t should have done anything!” I miss him.

I smile at my own ineptitude. I’m not Naval, nor Andy, nor Wayne. (All men, by the way, and what’s that about?). I am, however, beautifully inept. I am wondering about the depth of my imperfection at this second. When actually, in this very next second, I am happy. Grateful. Here at this moment, to be writing this post and nothing else.

It’s bitchin’, I tell you, bitchin’!

 

 

 

Deathlist Press Release!!

Deathlist Book Cover

 

Would you want to know when you’re going to die?

This is not a trick question. Think about your answer and let us know, please. Perhaps it would depend on the circumstances. Maybe it depends on if you’re old or young. Sick or well. Rich or poor. Death herself doesn’t care EXCEPT she cares about humans, despite herself and how they treat her.

The only way to know what Death really thinks is to read Kathryn Atkins’s book, Deathlist.

AND then you’ll know more about your fellow humans but also how sucky it is to be Death. She hates her job.

Death Has a Therapist?

If you’re old enough, you remember Kermit the Frog’s song, “It’s Not Easy Being Green.” If you’re not old enough, you might look it up, but suffice it to say, it’s not easy being Death! It’s almost as bad as being a dentist. No one wants to see Death or the dentist, and people are afraid of both of them when they shouldn’t be afraid of either one.

Death, who also likes to be called Coco for Coco Chanel, is very tired of being feared and of her job of collecting souls. Here’s the thing. She doesn’t CAUSE death. She only collects souls and helps smooth the path between living and the here-after.  PLUS — Death doesn’t send people to their eternities, Heaven or Hell, or wherever they are going to go. But people don’t get that about Death. They think she’s the one doing all the dirty work.

So, that’s why Death has a therapist named Nancy. And when Nancy isn’t available, Death uses retail therapy to get through the roughest days on the job.

She wonders if her therapist is real. Sometimes it’s hard to tell. But then she REALLY wonders if she needs therapy!

How about you? What do you do when you’re feeling blue? Bubble baths? Dancing? TV? What’s your secret escape? Let us know! 

Maybe check out the Deathlist book trailer to see more about Death and why she’s tired of her job. AND why she buys so many clothes. No, she won’t bite! If you read the book Deathlist, which is a satire (and pretty heavy on philosophy), you’ll get to meet a pretty goofy God, a bike riding Jesus, and a fashionista Holy Spirit.  They’re funny, although sometimes Death questions their idea of funny because they all drive her nuts!

Death plays golf with the Trinity when they’re talking to one another, that is.

 

 

The book asks: “WOULD YOU WANT TO KNOW WHEN YOU’RE GOING TO DIE?” Because that’s what the Deathlist will tell you. Take the survey here.

Inspiration for the Novel “Deathlist”

I’m often asked, “What was the inspiration for this novel?”

Well, pretty often.  Um, so. Hmmm. Okay. I’m telling you now that you’ve asked. Thanks! 🙂

Here’s my ANSWER: Every time I saw someone on the news or heard of a person dying that seemed especially odd (like a child, for gosh sakes, or someone sitting on a bench eating a sandwich and a tree fell on them, maybe), I began to form a theory that everyone had a specified death date. Death was not by chance, happenstance, or being in the wrong place at the wrong time. God had it planned out. He kept track of it in a big database, which someone or other dubbed the Deathlist.

I still believe there might be one somewhere. How do you explain those little times when you were two seconds behind that huge traffic accident? Or, okay, on a morbid but equally mysterious level, why do some suicide attempts not work? Without bogging down my explanation with statistics, we can all report anecdotal evidence of failed suicides.

Then imagine that humans were somehow allowed to know what their death date was. That was the germ of the book.

Would you want to know when you’re going to die? 

I could know how much time I had to finish and publish the Deathlist. Write a how-to book about anything. (I’m not sure, but I buy a lot of those fix-me-please books, so I think I should write one!)

 

LOVE to have you take the survey and… oh yes, buy the book. 🙂

What Is Satire, Exactly?

Here’s the thing. The novel Deathlist is a satire, in the same way, that George Orwell’s Animal Farm was a satire. Satire is “penetrating wit, irony, or sarcasm used to expose and discredit vice or folly. Orwell’s satire took the form of his effort, “to fuse political purpose and artistic purpose into one whole.” [Wikipedia] In the case of Deathlist, I tried to fuse life’s purpose and artistic purpose into one whole.

The Deathlist is God’s way to keep his mind free to do other things. Keeping track of everyone’s birth and death dates is a huge chore that not even God likes to do. When the Deathlist gets released to the people of Earth, humans have a chance at achieving their life’s purpose with more urgency if they know when they will die. That was my original idea for writing the book.wanted that urgency in my life.

The book started out with an entirely different main character, and he (a young man) was a mortal and found the Deathlist, and at the same time,  there was another older man and his wife who also knew the Deathlist existed. Alas, that story (I really liked it) was taken over by the vain and gorgeous Death, so much so that the entire book changed from science fiction/fantasy to visionary & metaphysical/satire.

In some ways, the final scenes of Deathlist mimic the end of Animal Farm in that our main character Death is betrayed by the Trinity. However, unlike Animal Farm, the novel Deathlist is not as depressing an ending. Death learns quite a bit about herself during the course of the action, while the reader will have some pretty important questions to ask of themselves as well. Most importantly, it’s this one:

“Would you want to know when you’re going to die?” 

You can answer the question in our survey here.

As a literary device or artistic form, an “allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas.” [Wikipedia]

The character Death conveys vanity, selfishness, and a host of other “deadly sins” (Did I say that? Yes, I guess I did.) But her character represents some aspects of hope, love, trust, and loyalty, too. SO. I hope you read Deathlist, take the survey, and let me know what you think of it!

Also, Deathlist is funny, but its messages are not. That’s kind of what satire is all about, I think.

Well, the Trinity is off playing golf while you and I are working. So let’s go back to work.