I’m often asked, “What was the inspiration for this novel?”
Well, pretty often. Um, so. Hmmm. Okay. I’m telling you now that you’ve asked. Thanks! 🙂
Here’s my ANSWER: Every time I saw someone on the news or heard of a person dying that seemed especially odd (like a child, for gosh sakes, or someone sitting on a bench eating a sandwich and a tree fell on them, maybe), I began to form a theory that everyone had a specified death date. Death was not by chance, happenstance, or being in the wrong place at the wrong time. God had it planned out. He kept track of it in a big database, which someone or other dubbed the Deathlist.
I still believe there might be one somewhere. How do you explain those little times when you were two seconds behind that huge traffic accident? Or, okay, on a morbid but equally mysterious level, why do some suicide attempts not work? Without bogging down my explanation with statistics, we can all report anecdotal evidence of failed suicides.
Then imagine that humans were somehow allowed to know what their death date was. That was the germ of the book.
I could know how much time I had to finish and publish the Deathlist. Write a how-to book about anything. (I’m not sure, but I buy a lot of those fix-me-please books, so I think I should write one!)
Here’s the thing. The novel Deathlist is a satire, in the same way, that George Orwell’s Animal Farm was a satire. 
Exactly give or take 23 memories before the last memory I had, I was in a dark place like I imagine most people are before they are them. I do not remember the 24th memory because I wasn’t me yet, I don’t think.
When did I become Death? Was I dropped off a turnip truck? Borne in a bundle hanging from a black stork’s bill? Is there such a thing as a black stork? OR was I drug across the River Styx by a black swan? I like that a lot better, don’t you? What color was the river? Has anyone ever checked? Did it bleed red? Ooze brown? Stink of Hades? Have a burning oil slick slithering across it, an environmental insult to the underworld?
From the open window, the aroma of freshly baked bread wafts in from the nearby bakeshop, followed immediately by stale urine odors rising from the alley three floors below. She stretches and then remembers. She’s no longer a female. She’s no longer a powerful part of the team in Heaven. And she is no longer Death. She’s a human on Earth, her body reeks of New York summer humid, and her mouth tastes the bitterness of her predicament.