Here’s the thing. The novel Deathlist is a satire, in the same way, that George Orwell’s Animal Farm was a satire. Satire is “penetrating wit, irony, or sarcasm used to expose and discredit vice or folly. Orwell’s satire took the form of his effort, “to fuse political purpose and artistic purpose into one whole.” [Wikipedia] In the case of Deathlist, I tried to fuse life’s purpose and artistic purpose into one whole.
The Deathlist is God’s way to keep his mind free to do other things. Keeping track of everyone’s birth and death dates is a huge chore that not even God likes to do. When the Deathlist gets released to the people of Earth, humans have a chance at achieving their life’s purpose with more urgency if they know when they will die. That was my original idea for writing the book. I wanted that urgency in my life.
The book started out with an entirely different main character, and he (a young man) was a mortal and found the Deathlist, and at the same time, there was another older man and his wife who also knew the Deathlist existed. Alas, that story (I really liked it) was taken over by the vain and gorgeous Death, so much so that the entire book changed from science fiction/fantasy to visionary & metaphysical/satire.
In some ways, the final scenes of Deathlist mimic the end of Animal Farm in that our main character Death is betrayed by the Trinity. However, unlike Animal Farm, the novel Deathlist is not as depressing an ending. Death learns quite a bit about herself during the course of the action, while the reader will have some pretty important questions to ask of themselves as well. Most importantly, it’s this one:
“Would you want to know when you’re going to die?”
You can answer the question in our survey here.
As a literary device or artistic form, an “allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas.” [Wikipedia]
The character Death conveys vanity, selfishness, and a host of other “deadly sins” (Did I say that? Yes, I guess I did.) But her character represents some aspects of hope, love, trust, and loyalty, too. SO. I hope you read Deathlist, take the survey, and let me know what you think of it!
Also, Deathlist is funny, but its messages are not. That’s kind of what satire is all about, I think.
Well, the Trinity is off playing golf while you and I are working. So let’s go back to work. 
Exactly give or take 23 memories before the last memory I had, I was in a dark place like I imagine most people are before they are them. I do not remember the 24th memory because I wasn’t me yet, I don’t think.
When did I become Death? Was I dropped off a turnip truck? Borne in a bundle hanging from a black stork’s bill? Is there such a thing as a black stork? OR was I drug across the River Styx by a black swan? I like that a lot better, don’t you? What color was the river? Has anyone ever checked? Did it bleed red? Ooze brown? Stink of Hades? Have a burning oil slick slithering across it, an environmental insult to the underworld?
From the open window, the aroma of freshly baked bread wafts in from the nearby bakeshop, followed immediately by stale urine odors rising from the alley three floors below. She stretches and then remembers. She’s no longer a female. She’s no longer a powerful part of the team in Heaven. And she is no longer Death. She’s a human on Earth, her body reeks of New York summer humid, and her mouth tastes the bitterness of her predicament.
So’s you’ll know. I didn’t sign up to be Death.