Category: Living

“JOMO”

yellow plush toy
Photo by Pixabay on Pexels.com

You’ve heard of FOMO… Fear Of Missing Out. I just heard of “JOMO.”

JOMO = Joy Of Missing Out.

That means forgetting Facebook, turning off Twitter, and ignoring Instagram. And evading E-Mail for a block of uninterrupted time. Call it what you will, it’s a way to decrease our addiction to the 24/7/365 bombardment of noise and distraction simply because we’re afraid we won’t know what our neighbor knows. We’ll miss the client’s email or an agent’s answer. They can wait.

JOMO is about allowing ourselves the joy of being in the moment.

Jason Fried, co-founder of 37Signals and maker of Basecamp reads a newspaper now! In a recent interview with Tim Ferriss, Jason said that knowing what’s going on in the world once a day is enough. Imagine.

The universe will continue without our seeing and hearing what happens every minute of every day. We’ll have more time for meditating, writing, painting, making music, reading books and lots more. Let’s call it Anti-Social Media. How’s that for a new term?

Unplug and enjoy life!

Purpose

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Someone in the audience asked, “How do you know you’re living your life’s purpose?” Good question!  How DO we know? Here were the answers from others in the room:

“No other place I’d rather be.”

“I’m happy.”

“I’m in a state of flow.”

“It feels like I’m being me.”

The women’s group in our neighborhood met to share business ideas and to talk about ourselves. Our SELVES. What do we fear? What do we seek? What do we need to feel like we are living our life’s purpose? How do we say “no”? As in NO. How do we protect our obliging, pleasing selves (many women fall into this category because of our role model moms) so we can live our life’s purpose on purpose?

Mark Twain said, “The two most important days in your life are the day you are born and the day you find out why.”

Sometimes the way we can be our best selves and find our purpose is to set boundaries. So sometimes we have to say “No.” Or say a qualified, controlled yes. “Tuesday after 3PM for thirty minutes.” We want to give our gifts to the people who will grow from our knowledge, our skillsets, and our experiences. This is another quote:

The meaning of life is to discover your gift. The purpose of life is to give it away. ~ Pablo Picasso.

We are here to do unto others. But not at the expense of our selves. Or we will have nothing to give. We must find out why we are here, per Mark Twain. Then we need to give our gift — perhaps it is our purpose  — to the rest of humanity. One at a time, or in a group, or through blogs. Like this one.

The same woman asked, “Can you have more than one purpose?”

I believe we can have more than one purpose. What do you believe?

Temporary

Dandelion_20windWe just dropped off our twenty-year-old son at the airport. He is so, well, twenty. After raising two boys to manhood, I know that Kahlil Gibran was probably right: Our children are only on loan to us.

I had heard it, but I didn’t have a clue of what that meant. When they were little, I fooled myself into thinking they were mine. But now I’m not so sure they ever were. Yes, they pretty much did what they were told—most of the time— because they didn’t know any better. However, those times didn’t last. And the boys often made their own decisions and mistakes, because that’s how they grew up. Childhood is temporary, as are many other things. The speed of our children’s progression to adulthood from the womb makes my head spin. Why is this?

 If our children are on loan and temporary, then so are marriage (‘til death or divorce do us part), our age, our highs, and lows. The seasons come and go. Winter fades to spring, which yields to summer and on to fall. There is no constancy in life except the fluidity of movement of one moment to the next. There is never a time when everything comes to a screeching halt. Never. The idea of it is so unfathomable to humankind, that most religions have an afterlife. Good or bad, heaven or hell, it’s a continuation of now into the future. We are almost never here and now, because now is like a freight train with “then” before it and “someday” after it, and “here” lasts only until that freight train leaves the station.

That means that there is no real past when you’re in the present. We cannot retrieve our children as they once were. We cannot ever again feel them inside our bodies, in our arms, or on our backs. That was temporary—a phase that is no more. I am convinced of the temporary nature of the past. Why, then, can I not see that the future is a fleeting, unattainable bundle? How insane am I that I do not see this? We project forward as if there were a way to control the future. There is none. We prepare for the future, we save, we worry; we think we can control outcomes, but alas, the future has no bearing on the present. It will be what it will be. That does not mean we don’t try to achieve our goals. No, rather, it means we try to plan our lives so that we must live only in the present knowing that any other form of living must negate the thing of life itself. It is so rudimentary but almost impossible: many people spend more time outside of now than in, and it is no wonder that the passage of time blurs on its way through life’s train station.

If there is no “present thread” (maybe because it is invisible) holding this day together, then it pulls apart, like a sweater unraveling, and the fabric we think we’re wearing is naught but a tangle of yarn on our mind’s floor.

Because life is temporary, my kids are on loan, my mom, brother, and spouse are fleeting, and everything is but a smearing of consciousness. I must stop. I should grab the hands on the life’s clock, hold onto them like the devil, and slow them way down as if my life depended on it. Why? Because it does. It just does.

Kathryn Atkins 2006

Starting

reason-1-coloredOh, my goodness. I had this fine idea that everyone is great at starting projects and that finishing is the problem. I forgot that many times people fail to start because they fear they will never finish. So finishing is still a huge challenge, no doubt about it, but the more pernicious problem is that a finely honed track record of non-finishing keeps people from the unbridled giddiness that comes from starting something. That, and fear of looking really dumb.

I hope you can take the first step. Whatever it is, try something new this week. It doesn’t have to be huge. You can start small. Try coffee black if you’re a cream and sugar person. Try changing your morning rituals. Try a different radio station. Take a meditation class or a couple of piano lessons at the local community center. Besides, taking lessons in something you’ve always wanted to but were afraid you’d be terrible at it is delightful. Why? Because it opens you to the freedom to look goofy. So what? No one is good on the first try. And no one is looking at you because they’re mostly afraid of how silly they look!

What about the following? Perhaps you are starting something that is too easy! Or you’re just a natural at whatever it is. And how lucky you are! You are really good at something, and you didn’t even know it. Excellent surprises await the brave.

Finishing is indeed a challenge, but try starting something to experience a new you. You’re traveling new territory, and you don’t even have to get on an airplane!

 

Published!

IMG_6965This published book, Giving My Self to the Wind, is a way to say ‘I was here.’ I stole that idea from Thomas Kail, the director of Hamilton. I hope he doesn’t mind if I borrow it because it’s true. A headstone doesn’t do it, and I cannot hold my kids responsible for substantiating my existence.

My 298-page (!) book opens with a quote by Gustave Flaubert that also explains why I wrote and published Giving My Self to the Wind (GMSTTW): “The art of writing is the art of discovering what you believe.” Isn’t that why most people write?

The collection’s title comes from the penultimate line of a poem I wrote in my teens. My adoptive mother embroidered the poem word for word in a sampler: a photo of it is inside the book. The sampler became a source of inspiration, and a reason to write.

This anthology represents stories, essays, poems, character sketches, and a few articles. I cover many topics, themes, and sins. For that reason,  I included an index! Without being over-the-top dense, the index saves the readers’ time. What’s in it? Thong underwear. Aging. Adoption. Coming of age. Unmarried and pregnant. Snoring. Caffeine. A fort! A convertible. Pain. Showing up. Meditation. Pajamas. Writing naked. Hookers. Dancers. Cell phones. Letters to my bio mom and dad are in there. I never met either one of them, I don’t think.

Writing a book is the height of courage if you don’t mind the depths of fear and deep plunge into the “sin” of pride. So, every artist of every kind faces the same angst, and I’m willing to hang it out because, in fact, it does say ‘I was here” in a way that not even my kids, or a photo, or a memory can do. Or a headstone.

 

HIbernate to Old, Please

How I wish I could hibernate for the next thirty years — no make that twenty — so I could suddenly wake up feeling old and being okay with it. Gray hair: check. Wrinkles everywhere: check. White eyelashes: check. Liver spots (ugh): check. I’m all here, but I’m calm in my old age and not fighting to be a young old person coloring my hair, wearing ingénue clothes, working at breakneck speed to keep up with a race for new technology that I cannot win.

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THE PATH

And there I would be, coming out into the light of day, stretching, yawning, squinting from the glare; nearly falling from the atrophy of unused muscles; my hair long like Rip Van Winkle’s, my fingers gnarly and stiff from arthritis, but all of the trappings of being old are hanging happily on my psyche because it’s okay to look old at the age we all know is finally old.

It used to be that fifty-five was old. People retired then. Next, the age went to sixty-five, jumping some invisible chasm from which retirement definition comes in non-dictionary form, to be suddenly the number chronologically at which one turns out the lights to one’s office for the last time. You close the blinds, turn off the computer, turn to look one last time at the place you called work, and bend down to pick up the box full of stuff that you accumulated and that they cannot keep for the next desk jockey to house your spot: your nameplate, your own crystal tennis ball paperweight from your twenty-first birthday; pictures of your mom and dad when they were young; a completely different century where horse-drawn carriages still peppered the byways.

Your handcrafted leather-handled letter opener combination staple remover (you always used it for both) and pictures of your children, your grandchildren, all four of your dogs and the last picture your youngest child drew in watercolor class in fifth grade are all there. He became a famous chef and caters to the rich and famous in a snooty New York City restaurant with and unpronounceable name meaning “Chicken Feed” to those in the know and who care. Most people don’t. And you’ve just had your last treadmill test; the ticker is ticking, like a well-oiled time bomb wanting to blow up the thing you have deftly called life, but you’re not really sure anymore. It could be something else — a dream, a play, or a movie.

* * *

Here’s my life at eighty-seven.

I’m a little old lady in tennis shoes, a member of the Red Hat Society; purple dresses, traveling with a carpetbag. I’m feisty and spry. I have no kids, no husbands, no PTAs no big house to clean, no laundry to speak of. I have an herb garden and tomatoes in pots. Where am I? I’m spending long days and cozy nights by a fake fireplace in a tiny, neat condo near a park. I live in a small town with a university at its center; I take classes and walk in the woods. I put up the tomatoes, write stories and essays, make mosaics, try to play the piano, and read to the kids at the local library, acting out the parts with wide eyes, arching eyebrows and big arm gestures. The children squeal with delight as I act out Little Red Riding Hood or Stella Luna to these lucky few that aren’t so mesmerized by television and computers that they actually enjoy the story. I’m happy in my tennis shoes. Happiest still in a pair of old-lady pedal pushers or jeans and baking brownies.  Or not. No one really cares. I’m the only one I need to do for now. Yes, I like seeing the grandkids, but I don’t want them over every day. Oh. But they’re here today.

“Grandma Kaffrum, Grandma Kaffrum,” they call me now. “Can you help us make a blanket fort?”

I love blanket forts. I made them with our kids until they became quite the edifices that surpassed my talents: the kids had a dining room, living room, and TV room, all separated out nicely in their blanket forts, and I was proud. Going deftly and carefully from one soft-sided room to another without pulling the walls down with bigger clumsier feet than those of my little boys made me happy. And letting them sleep in the fort was a special treat for special kids. I remember the time when “closets” were added with boxes and masking tape, and doors made out of appliance box flaps had “Keep Out” signs emblazoned in big block letters with the skull and crossbones to scare away the meek and tender. Flashlights made strange light forms on the ceiling as the rays bent and twisted through the blanket folds.

I miss those times and hope for their return when I wake up from my next hibernation. As in why not?

Flamenco Recital

Con El Alma Dance Recital

The night before a recital. tumblr_ltxpemhhsj1qkx2rdo1_500
Flamenco practice done.
The dancers are ready.
Their hair in buns.

Their feet are sore
From practicing every night.
Excited and happy,
Their goal is to delight.

Filled with elation.
Full of anticipation.
Feeling exhilaration.
There’s never a temptation
To back away.
No way, no way.
Attack. Stay.
Dance. Sway.
Sweat ‘til you’re wet.
Don’t forget. Don’t forget!

Smile.
Grimace.
Spin.
Keep the beat.
More heart. More heart.
Feel the passion!
Meet your art.

The newbies in awe
Watch the seasoned dancers dance.
With hope, with work,
We may have a tiny chance
To be half as good some day.
We sigh, as we say,
“Look. Just look.
They’re lovely to behold.
We’ll be there one day
Before we’re old!”

Flamenco is hard—much harder than it looks.
It cannot be learned from reading books.
Our teacher, dear Sarah
Works tirelessly, but has fun.
Thanks. Sarah. We’re excited.
Break a leg everyone!

© Kathryn Atkins 2016

Author’s note: Whatever you do, you’re bound to face the fear of failure when you’re first starting out. Flamenco so inspires me, I’m willing to face that fear.  Eventually I’d like to dance with abandon and revel in the beauty, sensuousness and passion of this historically significant, culturally rich dance form. Until then, I’m willing to learn, practice, and embarrass myself, even, to reach my goal. Olé!